Juliet Ewing Part Two (S5 | E255)
[PJ] This is part two of an interview with Juliet Ewing. I have known Juliet all my life… well – OK – that’s because she is my sister. But… that does give me a unique perspective on her first recording, a carefully curated collection of Gershwin tunes. Like the many jazz singers before her, she has spent a lifetime with the material. Juliet’s experience with Gershwin ranges from our childhood watching Fred and Ginger, Audrey, Betty, Gene and Bing on late-night TV, to her worldwide travels with the Gershwin show “Crazy for You.” And now this incredible record. And it is filled with other experts in their field, like Ron Drotos (arranger and piano), Ted Firth (arranger and piano), bassist David Fink, and drummer Mark McLean
Juliet Ewing is an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet’s artistry is “timeless.”
The Juliet Set
Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. Her performances are marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. Praised for her impeccable phrasing and dramatic skill, Juliet brings a storyteller’s touch to each song, breathing new life into jazz standards and timeless classics. Whether delivering a playful rendition of “One Note Samba” or an emotionally charged “The Man I Love,” she connects deeply with her listeners, leaving an indelible impression. Juliet’s artistry is a testament to her extensive experience on Broadway stages and European tours, making her a distinctive voice as a Songbook interpreter.
Always Room for Gershwin
There is always more room for the magic of Gershwin in our musical lives. I hope you enjoyed it as much as I do and it brings you joy.
As Ira Gershwin so expertly penned “Love is Here to Stay “ and to luxuriate in this perfect music is “Simply ‘S Wonderful”
-Juliet Ewing
For upcoming gigs, to purchase the record, and to keep track of Juliet’s latest music visit her website: Juliet Ewing.
| Track Name | Album Name | Artist Name(s) | Release Date | Record Label |
|---|---|---|---|---|
| Shall We Dance | The Great American Songbook | Fred Astaire | 1932 | Columbia/Legacy |
| A Foggy Day | The Essential Fred Astaire | Fred Astaire | 1935 | Columbia/Legacy |
| Two Preludes for Piano | Rare Piano Duets & Solos of the Vintage Era | George Gershwin | 4/1/12 | Vintage Masters Inc. |
| A Foggy Day | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| The Man I Love | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| I’ve Got a Crush On You | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| Embraceable You | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| Embraceable You | Sarah Vaughan | Sarah Vaughan;Clifford Brown | 12/1/54 | Verve Reissues |
| Summertime | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| The Lorelei | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
| I Got Rhythm | Simply ‘S Wonderful: The Magic of Gershwin | Juliet Ewing | 9/12/25 | Lexicon Classics |
